![]() ![]() The finger-snaps that open Diana Krall’s “My Love Is” clearly demonstrated both a more percussive snap and a richer, longer-seeming reverb tail. With Dirac engaged, reverberations sounded, not louder, but deeper, smoother, or shall I say, creamier, and perhaps even very slightly longer. However, there was certainly more going on than that. So even casual listening reveals tighter bass octaves, along with the tonal-balance corollary of better-defined and seemingly more prominent midrange and treble. Why was this unsurprising? Because Dirac, like Audyssey and most every other system I’ve tried, corrects the room-effect buildup of 50-to-120-Hz energy I well know to occur in my room, as it will in most others. ![]() My initial reaction, unsurprisingly, was that the sound was brighter. ![]()
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